This week, what makes a “good” photograph (or painting, sculpture, film, etc.)? Are there checkboxes that need to be hit or is good something more intangible, more ephemeral – maybe even exclusively personal? Also, once you do make something good, what do you charge for it? Where does value come from? Arthur Leipzig is our Photographer of the Week.
Tony Zarak Photography
Bill’s Polaroid 55 Portraits on Behance
Art Prices – Photography: Cinema
When Photographers Become Self-Publishing Companies | TIME
Stop Taking Pictures of Homeless People | VICE | United States
What’s the biggest problem with women artists? None of them can actually paint, says Georg Baselitz – News – Art – The Independent
pavel_kosenko: 4×5 Kodachromes
4×5 Kodachromes | Pavel Kosenko’s blog (English version)
Kodachromes | Shorpy Historic Picture Archive
On Taking Pictures — Kristopher
On Taking Pictures – Community – Google+ Assignment: #joy
Arthur Leipzig, Photographer
Arthur Leipzig, Photographer of Everyday Life in New York, Dies at 96 – NYTimes.com