#281: Hidden Under Hair and Self-Doubt

© Pete Turner
This week, we’re attempting to answer some of your questions that range from our desert island photo choices to whether or not ego affects how we take pictures. There are also questions on how to recognize when a project is done and whether or not it’s possible to change your photographic style. As usual, we got some questions that really stumped us, and some that we’re going to have to come back around to after thinking about them a bit. Pete Turner is our Photographer of the week.
On Taking Pictures – Google+ – Assignment: #OutOfStyle
David duChemin Interview // Podcast | The Digital Photo Experience
1890’s Sideshow Pitch — Wadman
Best HDR Software – HDR Photo Editor for Mac & PC | Aurora HDR 2018
HDR Photography Software – Photo Editing Programs & Plugins – Photomatix
Pete Turner (photographer) – Wikipedia
Pete Turner: Master of Color Photography from Nikon
Venture Onward (@1924us) • Instagram photos and videos
#280: Tacking Left And Right Into The Wind

© Ruth Orkin
This week, can creatives have concrete long term goals or is the nature of making such that clarity beyond a certain point is elusive by design? Then again, if you can’t define a specific goal or end point, how do you know whether you are getting closer or moving further away from where you want (or need) to be? Ruth Orkin is our Photographer of the Week.
On Taking Pictures – Google+ – Assignment: #EndOfSeason
Products Archive – Photography by the Letter
Shadows of the State by Lewis Bush — Kickstarter
5by5 | On Taking Pictures #261: Healing Salve On The Open Wound Of Doubt
Claire Falkenstein – Wikipedia
Ruth Orkin Photo Archive Store
The real story behind ‘An American Girl in Italy’ – CNN
#279: Letting It Go For A Better Offer

© William Wegman
This week, does progress take the place of craft, or can things simultaneously move on while still staying the same? Or is the romance and nostalgia of “the way things used to be” just a manufactured memory? Also, how intentional are you about the colors in your photography? The colors you choose (and choose to leave out) can have a dramatic emotional effect on how your work is received. Plus, Sarah Oliphant has been at the forefront of backdrops for decades. Peter Hurley visits her studio to see what all the fuss is about. William Wegman is our Photographer of the Week.
Home – Photography by the Letter
Connolly brothers: Dairy and more
How to Edit Colour and Create your own Style – YouTube
Impalette | Scan Images for Dominant Pantone Colors and Generate a Color Palettes
Canon TS-E 50mm f/2.8L Macro Tilt-Shift Lens 2273C002 B&H Photo
Adobe Capture CC | Edit photos, shapes to vectors and graphics
Learning from the Masters – Amélie
The Nikon D850 Doubles as a 45.7MP Film Scanner
The Woman Who Paints the $1,000+ Backdrops Used by Top Photographers
On Taking Pictures – Google+ – Assignment: #localbusiness
The Artist Series :: William Wegman | The Art of Photography
Polaroid 20×24 camera – Wikipedia
William Wegman: Being Human | Chronicle Books
SCROOGE THANK YOU VERY MUCH SONG – Starts at :29
#278: One and A Quarter Step Forward

© Marvin Newman
This week, how do you know when you’re making good work? There are so many factors that contribute to the success of a project that worrying about a subjective definition of good ends up getting lost. Is just doing the work — any work — more important than whether or not you call it good? Marvin Newman is our Photographer of the Week.
Jim Carrey: I Needed Color on Vimeo
The Woman Who Paints the $1,000+ Backdrops Used by Top Photographers
Gary Numan: Life lessons from a synth-pop superstar
Dell Outlet Refurbished Laptops, Desktops & Servers
Eight photography podcasts you should be listening to now – Australian Photography
Meet the Unsung New York Photographer Who Has Seen It All | Time.com
Picasso’s Self Portrait Evolution From Age 15 To Age 90 | Bored Panda
Blurred Boxing Action Pictures | Getty Images
#277: We Both Work Great In Planned Chaos

© John Vachon
This week, we’re discussing order vs chaos and how each of us feels most productive. We also talk about how some forms of chaos can actually act as a motivator to help you focus and get more done. Plus, a follow up on last week’s discussion around purpose. John Vachon is our Photographer of the Week.
On Taking Pictures – Google+ – Assignment: #electric
Hosting for developers – WebFaction
Scott Bourne’s Bird Photography Gear Guide for Micro Four Thirds Shooters – 43 Rumors
Summertime Blues- Eddie Cochran – YouTube
1941 Chicago streets through the lens of a rookie FSA photographer
#276: Gas Money and a New Alternator

© Gosta Peterson
This week, what is the purpose of your work? What does it mean to live with purpose? Is purpose a necessary component to making good work? Also, the web is filled with reviews of everything you can imagine, but how do you know the unbiased ones from the affiliates and who do you trust? Gus Peterson is our Photographer of the Week.
On Taking Pictures – Google+ – Assignment: #saturday7PM
Former Google SVP says Android phones ‘years’ behind the iPhone in photography | 9to5Mac
Raw Converter – Raw Photo Editor in Luminar | Macphun
Adam Savage Visits Third Man Records! – YouTube
Purpose Driven Life – What On Earth Am I Here For?
The Universe Doesn’t Care About Your ‘Purpose’ – The New York Times
Gösta Peterson, Barrier-Breaking Fashion Photographer, Dies at 94 – NYTimes.com
In Memoriam: Photographer Gösta “Gus” Peterson – Vogue
Gösta Peterson, Barrier-Breaking Fashion Photographer, Dies at 94 – The New York Times
#275: The Good, Fast, and Cheap of Photography

© Olive Cotton
This week, we discuss the work of photographer Chris Killip, whose photographs of Northern England from the 1970s and 1980s manage to embody the spirit of the people as well as the landscape. Who are some of your favorite photographers who perfectly capture the feel or the energy of a particular time and place? We also talk about David Hockney, from the perspective of his ability to constantly explore and embrace new processes and techniques. Plus, the pros and cons of cropping. Olive Cotton is our Photographer of the Week.
On Taking Pictures – Google+ – Assignment: #collageComposite
Now Then: Chris Killip and the Making of In Flagrante | The Getty Museum
Hong Kong In The 1950s Captured By A Teenager
Chris-Killip-Now-Then-The-Making-of-In-Flagrante-38-e1495641441734-895×716.jpg (895×716)
Happy Birthday, Mr. Hockney | The Getty Museum
R.E.M. – Imitation Of Life (Official Music Video) – YouTube
An Untouched Frank Lloyd Wright House Is For Sale | Apartment Therapy
“Painting with Light”. David Hockney. – YouTube
The Universe Doesn’t Care About Your ‘Purpose’ – The New York Times
Cropping – Krishna Mohan Photography
John G. Morris, Renowned Photo Editor in the Thick of History, Dies at 100 – NYTimes.com
Robert Freeman – The Greatest Forgotten Photographer of the 60s
MACK – Alec Soth – Sleeping by the Mississippi
Frank Lloyd Wright Interactive Portfolio
Works by Olive Cotton :: The Collection :: Art Gallery NSW
Photography by the Letter — jeffery saddoris
#274: The Unatographer

© Robert Freeman
We begin this week with a little tech talk around monitors. Is 4K the way to go, or is an ultrawide 1080 the better play? In the end it’s just pixels, but most photographers want as many as they can get. We also talk about elevating photography into an art form, exemplified by the career of John Szarkowski, an iconic photo curator who recently passed away. Plus, what makes a portrait? Robert Freeman is our Photographer of the Week.
On Taking Pictures – Google+ – Assignment: #communication
Cheap Trick at Budokan – Wikipedia
Annie Leibovitz: Portraits 2005–2016
ultrawide, LCD / LED Monitors, Monitors, Computer Systems – Newegg.com
John Szarkowski, Eminent Curator of Photography, Dies at 81 – The New York Times
Atget: Postcards of a Lost Paris
Superman’s ‘stache is causing woes for Justice League
“White Nights” – 11 pirouettes – YouTube
11pirouettes-Slo-mo analysis of Baryshnikov in White Nights – YouTube
Olive Cotton Award: Photographic portrait prize awarded to image without a face
Photographer Snaps Nearly A Hundred Photos a Day With Homemade Camera | Fstoppers
Photography by the Letter — jeffery saddoris
Robert Freeman (photographer) – Wikipedia
REVOLVER: Robert Freeman’s Cover Design – YouTube
Robert Freeman – The Greatest Forgotten Photographer of the 60s
#273: Kenneth Is Funded With Advice

This week, a listener asks for advice on how to fund a print project, which leads us on a discussion around potential solutions as well as options for compromise on what the end product looks like — something anyone who has made anything will likely be able to relate to. Also, a few stories that re-open the discussion around copyright and what a slippery slope it can be to navigate on both sides of the equation. Plus, “fake” is the new “it” word — fake news, fake photos, fake fame — but what happens when we really do lose our ability to tell fact from fiction? Martin Munkácsi is our Photographer of the Week.
On Taking Pictures – Google+ – Assignment: #reverse
A Band’s Not-So-Impressive Response To Being Called Out On Copyright Infringement
A monkey selfie copyright case returns to the spotlight – CNET
Picture Frames – Leading Online Store for Photo Frames
The Beatles: Eight Days a Week – Wikipedia
Janus Films — David Lynch: The Art Life
Can you tell fake news when you see it? – The Washington Post
Faking It: Manipulated Photography before Photoshop
Kylie and Kendall Jenner are sorry they wanted to sell you an old Tupac shirt for $125 – LA Times
On Taking Pictures — Kristopher
Martin Munkacsi, 1896-1963 Photo Gallery by Oleg Moiseyenko’s Stock Photography at pbase.com
Martin Munkacsi: Think While You Shoot! | International Center of Photography
#272: If I Stand Still, That’s When the Cobwebs Grow

© William Christenberry
This week, we discuss the possibilities of stepping outside our comfort zones. Sometimes, the beginning of a project seems too far out of reach — maybe even more than we can handle — but we find that the sweet spot in the Venn diagram between challenge and uncertainty is exactly what we need to take the work somewhere it couldn’t have gotten to any other way. Also, where have all the Renaissance men gone? William Christenberry is our Photographer of the Week.
Bill’s Sound-a-like of “Big Shot” from college
On Taking Pictures – Google+ – Assignment: #Complex
I Love Lucy – On Stage Color Footage (1951) – YouTube
Beer Shots — Santé Food Photography
Amelia Earhart May Have Survived Flight, New Photo Suggests | Time.com
Thomas Ruff’s vintage photos of Hollywood actresses – CNN.com
The Wild Life of Nadar, an Early Photographer Who Knew How to Give a Party – NYTimes.com
Inkjet Photographic Papers Premium Photo Paper by Red River
William Christenberry – Wikipedia
William Christenberry | Photography Artist | Jackson Fine Art