#286: You Don’t Need To Make New Friends

© Eugene Richards

This week, the amount of new post-production tools (including the newly announced Lightroom CC) inspires a discussion around workflow and the potential need for evolution in how we catalog and process our photographs. While some photographers (ourselves included) tend to prefer the “old” ways of doing things, tools seem to be making a shift, both in capability and in target audience. Also, we begin a look at whether or not you even need a website anymore. There doesn’t seem to be a definitive answer either way and, in the end, it really depends on what you want to get out of your work. Eugene Richards is our Photographer of the Week.

Adobe doesn’t care what you think and quits the standalone version while launching the new Lightroom CC – 43 Rumors

Adobe’s new version of Lightroom lets you resume editing anywhere – The Verge

Adobe CC Photography Plan | Professional Photo Editing Software

Photographer Dawoud Bey wins MacArthur genius grant

Climber Hayden Kennedy and Partner Inge Perkins Dead After Avalanche – adventure journal

Worlds most dangerous hikes – Angels landing, Zion (full hike) – YouTube

William Eggleston, at 78, in a New Key – NYTimes.com

Blade Runner 2049: Inside the Dark Future of a Sequel 35 Years in the Making | WIRED

On Taking Pictures – Google+ – Assignment: #OutOfTheOrdinary

Eugene Richards – Wikipedia

EUGENE RICHARDS

Faith in Winter — EUGENE RICHARDS

The unflinching eye of Eugene Richards – in pictures | Art and design | The Guardian

FUJIFILM X70 | Fujifilm Global

#285: The Composition Within the Chaos

 

© Lynn Gilbert

This week, how do you approach a new project or body of work? Is the making more important than the potential juice? Or is potential monetization always a component? Also, a discussion around creating work vs. seeing work, using photojournalism as an example. Plus, a spoiler-free discussion of the making of Blade Runner 2049 from the perspective of practical vs CG environments. Lynn Gilbert is our Photographer of the Week.

On Taking Pictures – Google+ – Assignment: #HighNoon

The Eddie Adams WorkshopThe Eddie Adams Workshop The Eddie Adams Workshop

Hugh Kretschmer Photography | OVERVIEW | 1

Capitol Hill | Al Drago

Google’s unlimited full-res photo storage for Pixel 2 owners ends in 2020: Digital Photography Review

Yashica launches Y35 digiFilm camera that uses digital ‘film’ cartriges: Digital Photography Review

Amazon.com : Word Notebooks Black : Office Products

Lynn Gilbert Photography

Young Dan Winters

#284: Time Is Your Only Currency

© Larry Burrows

This week, have improvements to the gear side of photography affected the overall craft of making pictures? Or are we now able to simply pick and choose the pieces of the craft that matter most to us? Also, a listener asks about what motivates us to make, the love of doing it, money, or something else? Larry Burrows is our Photographer of the Week.

On Taking Pictures – Google+ – Assignment: #EarlyMorning

Home – FDR Presidential Library & Museum

Neil Leifer: The Boxing Photos | Longform – SI.com

Fujifilm GFX Extreme (and Amazing!) Shadow Recovery :: Nikon D850 Vs. Fujifilm GFX Samples :: GF 14x TC and GF250 Images (GFX zone) – Fuji Rumors

Fujifilm X100T Digital Camera, Black {16.3 M/P} | KEH Camera

Home – Photography by the Letter

Larry Burrows – Wikipedia

Larry Burrows | International Center of Photography

Vietnam War: Looking Again at Larry Burrows’ Photo, ‘Reaching Out’ | Time.com

Tim Hetherington Trust

Home — RESTREPO — A Film by Sebastian Junger & Tim Hetherington

Fog Of War Eleven Lessons From The Life Of Robert S. Mcnamara on Vimeo

#283: Somewhere To Get A Cleat In

© Maria Svarbova

This week, we’re addressing some of your feedback from email and the Google+ group, including the impact that mobile photography has had on how we take and share pictures. Also, we talk about the iterative nature of creativity and how sometimes starting over on a project can be a good thing. Maris Svarbova is our Photographer of the Week.

On Taking Pictures – Google+ – Assignment: #Saturated

Pixels 4 Puerto Rico

Home – Photography by the Letter

Canon Fine Art Paper and Canvas for use with inkjet printers

We Came From Fire: Fine Art Photography Book – Joey L. Photography Shop

16 cameras in one: Light promises smartphone size and DSLR image quality

Chesapeake & Ohio Canal National Historical Park (U.S. National Park Service)

All the New Features in Apple’s Photos App in macOS High Sierra – Mac Rumors

Apple File System – Wikipedia

The Best Drone Photos of the Year

Meet the Engineer Preserving The Last Analog Motion Graphics Machine – YouTube

Scanimate – Wikipedia

In No Great Hurry

Pina (film) – Wikipedia

Amazon.com: Pina: Wim Wenders: Amazon Digital Services LLC

Maria Svarbova

Mária Švarbová (@maria.svarbova) • Instagram photos and videos

Swimming Pool – New Heroes & Pioneers

#282: All Of This Shenanigans Over A Camera

© Ronin Mckenzie

This week, does having tools at the ready make you more likely to actually create? Or is preparing to create a necessary part of your process? Sometimes creativity shows up messy, if it comes at all. Also, is the perception/representation around women in photography changing, both in front of and behind the camera? Depends on where you look. According to Getty, yes. But, based on something that recently happened with Nikon, maybe not so much. Ronan McKenzie is our Photographer of the Week.

On Taking Pictures – Google+ – Assignment: #MakeYourOwnStillLife

Do Androids Dream of Being Featured in Portrait Competitions? – The New York Times

Harrison Ford on ‘Star Wars’, ‘Blade Runner’, and Punching Ryan Gosling in the Face | GQ

When You Need Creativity to Strike, Make Way and Gear Up – NYTimes.com

Nikon Picked 32 Photographers to Promote a Camera. All 32 Were Men. – The New York Times

Women Photograph

Banksy Strikes Again, With Nod to Basquiat – The New York Times

Apple’s new iPhones use AI ‘Portrait Lighting’ to improve shots

Overbeers by Freddy Clark on Apple Podcasts

RONAN MCKENZIE – WORK

photographer ronan mckenzie explores today’s perceptions of the black body – i-D

i-D Meets: Next Gen Photographers – YouTube

It’s Nice That | Photographer Ronan McKenzie tells us about ongoing personal project Girls

#281: Hidden Under Hair and Self-Doubt

© Pete Turner

This week, we’re attempting to answer some of your questions that range from our desert island photo choices to whether or not ego affects how we take pictures. There are also questions on how to recognize when a project is done and whether or not it’s possible to change your photographic style. As usual, we got some questions that really stumped us, and some that we’re going to have to come back around to after thinking about them a bit. Pete Turner is our Photographer of the week.

On Taking Pictures – Google+ – Assignment: #OutOfStyle

Web colors – Wikipedia

David duChemin Interview // Podcast | The Digital Photo Experience

1890’s Sideshow Pitch — Wadman

Best HDR Software – HDR Photo Editor for Mac & PC | Aurora HDR 2018

HDR Photography Software – Photo Editing Programs & Plugins – Photomatix

(770) Pinterest

Pete Turner (photographer) – Wikipedia

Pete Turner Photography

Pete Turner: Master of Color Photography from Nikon

Venture Onward (@1924us) • Instagram photos and videos

#280: Tacking Left And Right Into The Wind

© Ruth Orkin

This week, can creatives have concrete long term goals or is the nature of making such that clarity beyond a certain point is elusive by design? Then again, if you can’t define a specific goal or end point, how do you know whether you are getting closer or moving further away from where you want (or need) to be? Ruth Orkin is our Photographer of the Week.

On Taking Pictures – Google+ – Assignment: #EndOfSeason

“At Home” – Bill Bryson

Products Archive – Photography by the Letter

Numbers station – Wikipedia

Shadows of the State by Lewis Bush — Kickstarter

5by5 | On Taking Pictures #261: Healing Salve On The Open Wound Of Doubt

A world-famous photographer goes on the hunt for the ‘perfect shot’. And it’s breathtaking to see. – YouTube

Claire Falkenstein – Wikipedia

Emerson Woelffer – Wikipedia

Ruth Orkin Photo Archive

Ruth Orkin Photo Archive Store

The real story behind ‘An American Girl in Italy’ – CNN

That’s me in the picture: Ninalee Craig photographed by Ruth Orkin in Florence in 1951, aged 23 | Art and design | The Guardian

#279: Letting It Go For A Better Offer

© William Wegman

This week, does progress take the place of craft, or can things simultaneously move on while still staying the same? Or is the romance and nostalgia of “the way things used to be” just a manufactured memory? Also, how intentional are you about the colors in your photography? The colors you choose (and choose to leave out) can have a dramatic emotional effect on how your work is received. Plus, Sarah Oliphant has been at the forefront of backdrops for decades. Peter Hurley visits her studio to see what all the fuss is about. William Wegman is our Photographer of the Week.

Home – Photography by the Letter

Connolly brothers: Dairy and more

nelsoncandies

Revisionist History Podcast

How to Edit Colour and Create your own Style – YouTube

Impalette | Scan Images for Dominant Pantone Colors and Generate a Color Palettes

Color Palette Generator

Canon TS-E 50mm f/2.8L Macro Tilt-Shift Lens 2273C002 B&H Photo

Adobe Capture CC | Edit photos, shapes to vectors and graphics

Learning from the Masters – Amélie

The Nikon D850 Doubles as a 45.7MP Film Scanner

The Woman Who Paints the $1,000+ Backdrops Used by Top Photographers

On Taking Pictures – Google+ – Assignment: #localbusiness

Wegman | Home

The Artist Series :: William Wegman | The Art of Photography

The New York Times

Polaroid 20×24 camera – Wikipedia

William Wegman: Being Human | Chronicle Books

SCROOGE THANK YOU VERY MUCH SONG – Starts at :29

#278: One and A Quarter Step Forward

© Marvin Newman

This week, how do you know when you’re making good work? There are so many factors that contribute to the success of a project that worrying about a subjective definition of good ends up getting lost. Is just doing the work — any work — more important than whether or not you call it good? Marvin Newman is our Photographer of the Week.

Jim Carrey: I Needed Color on Vimeo

The Woman Who Paints the $1,000+ Backdrops Used by Top Photographers

Gary Numan: Life lessons from a synth-pop superstar

Dell Outlet Refurbished Laptops, Desktops & Servers

Eight photography podcasts you should be listening to now – Australian Photography

Marvin E. Newman – Wikipedia

Meet the Unsung New York Photographer Who Has Seen It All | Time.com

Marvin E Newman’s best photograph – coated sunbathers in 1950s Coney Island | Art and design | The Guardian

Photobook: City of Lights – The Undiscovered New York Photographer Marvin E Newman – British Journal of Photography

Marvin Newman – Pinterest

Picasso’s Self Portrait Evolution From Age 15 To Age 90 | Bored Panda

Blurred Boxing Action Pictures | Getty Images

#277: We Both Work Great In Planned Chaos

© John Vachon

This week, we’re discussing order vs chaos and how each of us feels most productive. We also talk about how some forms of chaos can actually act as a motivator to help you focus and get more done. Plus, a follow up on last week’s discussion around purpose. John Vachon is our Photographer of the Week.

On Taking Pictures – Google+ – Assignment: #electric

MightWeb | Pure SSD Hosting

Hosting for developers – WebFaction

Scott Bourne’s Bird Photography Gear Guide for Micro Four Thirds Shooters – 43 Rumors

Summertime Blues- Eddie Cochran – YouTube

Hidden Brain : NPR

Zeno’s paradoxes – Wikipedia

Time Remembered | Reelhouse

John Vachon – Wikipedia

1941 Chicago streets through the lens of a rookie FSA photographer

winstonlink.jpg (470×588)

Great Depression Photos